The primary 100 folks to enroll will get three meals off their Blue Apron order free! Click on right here: http://cook dinner.ba/2tNrXSI
This video is sponsored by Blue Apron.
Take a look at my new podcast with Brian from Actual Engineering:
https://itunes.apple.com/us/podcast/showmakers/id1224583218?mt=2 (iTunes hyperlink)
https://www.youtube.com/channel/UC_10vJJqf2ZK0lWrb5BXAPg (YouTube hyperlink)
Help Wendover Productions on Patreon: https://www.patreon.com/wendoverproductions
Get a Wendover Productions t-shirt for $20: https://retailer.dftba.com/merchandise/wendover-productions-shirt
Youtube: http://www.YouTube.com/WendoverProductions
Twitter: http://www.Twitter.com/WendoverPro
Electronic mail: WendoverProductions@gmail.com
Reddit: http://Reddit.com/r/WendoverProductions
Music is “Vibe Ace” by Kevin MacLeod and “Photo voltaic Flares” by Silent Companion
Animation by Josh Sherrington (https://www.youtube.com/heliosphere)
Sound by Graham Haerther (http://www.Haerther.web)
Ramp meter picture courtesy SounderBruce by way of Flickr
Ramp meter picture 2 courtesy Garrett by way of Flickr
Stockholm congestion cost picture courtesy Eurist ev by way of Flickr
FedEx Area picture courtesy Rory Finneren by way of Wikipedia
US Roundabout picture courtesy Una Smith by way of Wikipedia
Exhibition street shared area picture courtesy Romazur by way of Wikipedia
Stuttgart shared area picture courtesy Mussklprozz by way of Wikipedia
Bohmte shared area picture courtesy Kai Kowalewski by way of Wikipedia
Alleyway shared area picture courtesy Jarret M by way of Flickr
DDI picture courtesy Supercarwaar by way of Wikipedia
Choose visuals courtesy Google Maps/Earth
Huge due to Patreon supporters: Aitan Magence, Alex Duvall, Andy Tran, Anson Lengthy, Arcadia Kulev, Arunabh Chattopadhyay, Brady Bellini, Connor J Smith, David Cichowski, Dylan Benson, Etienne Dechamps, Eyal Matsliah, Hagai Bloch Gadot, Hank Inexperienced, John and Becki Johnston, Joseph Bull, Ken Rutabana, Kevin Music, Marcelo Alves Vieira, Maximillian van Kasbergen, Noam Lawi, Paul Jihoon Choi, Plinio Correa, Rob Harvey, Sihien, Victor Zimmer, Vincent Mooney, William Chappell
Wednesday, 19 July 2017
Easy methods to Repair Visitors Eternally
[Best Car Music Mix 2017]- Electro & Home 2015 Finest Of Summer season Get together Dance Combine #150 - Dj Fr@nck
[Best Car Music Mix 2017]- Electro & Home 2015 Finest Of Summer season Get together Dance Combine #150 - Dj Fr@nck
Automobile Music Combine 2017 Finest Automobile Music Combine 2017 Finest Electro Home official fanpage:
dj fr@nck:
episode 150! :)
new combine :)
Subscribe & Extra Movies: https://goo.gl/hu18bh
Thank for watching, Please Like Share And SUBSCRIBE!!!
#carmusicmix2017, #bestcarmusicmix2017
Amazing Skill Fast Workers God Level Fastest Everything Compilation 2017 #3 - People Are Awesome
Superb Talent Quick Employees God Degree Quickest Every part Compilation 2017 #three - Folks Are Superior.
Superb Talent Quick Employees God Degree Quickest Every part Compilation 2017 #three - Folks Are Superior
- Watch, fee, share and Remark
- Please depart a like for those who loved and inform me what you suppose within the feedback!
- Remember to subscribe my channel :)
Assist The Sound Mission:
https://www.fb.com/The-Sound-Mission-304068123119291/
https://plus.google.com/100231906885515018197
https://www.youtube.com/channel/UCou6pqxzTSYf8t-ISPmeQQw
Music:
Ship Wrek, Zookeepers & Trauzers - Vessel
Icehunt - Hover (feat. Helen Tess)
Y&V - Lune
Hear extra nice monitor. Examine music channel.
Assist beech music:
https://www.youtube.com/channel/UCvVydVYbyhC1ILrW--iF92A
https://www.fb.com/beechmusic1/
https://soundcloud.com/beechmusic-171559473
https://twitter.com/beechmusic1
THE SOUND PROJECT is the primary vacation spot for superb, unique movies and compilations.
All compilation is accompanied by superior music.
Subscribe channel, don"t miss a brand new compilation.
If any producer, artist, or label has a difficulty with an add be happy to contact me at thesoundproject01@gmail.com and I'll take any essential motion.
Amazing Skill Fast Workers God Level - People Are Awesome - Ultimate Compilation 2017
Wonderful Ability Quick Staff God Stage - Individuals Are Superior - Final Compilation 2017.
Wonderful Ability Quick Staff God Stage - Individuals Are Superior - Final Compilation 2017
- Watch, price, share and Remark
- Please depart a like in case you loved and inform me what you assume within the feedback!
- Remember to subscribe my channel :)
Assist The Sound Undertaking:
https://www.fb.com/The-Sound-Undertaking-304068123119291/
https://plus.google.com/100231906885515018197
https://www.youtube.com/channel/UCou6pqxzTSYf8t-ISPmeQQw
Music:
DOCTOR VOX - Frontier
Janji - Heroes Tonight (feat. Johnning)
Jesse Warren - Miles Above You
Vanze - Survive (feat. Neon Goals)
Examine music channel.
Assist beech music:
https://www.youtube.com/channel/UCvVydVYbyhC1ILrW--iF92A
https://www.fb.com/beechmusic1/
https://soundcloud.com/beechmusic-171559473
https://twitter.com/beechmusic1
THE SOUND PROJECT is the primary vacation spot for wonderful, authentic movies and compilations.
All compilation is accompanied by superior music.
Subscribe channel, don"t miss a brand new compilation.
If any producer, artist, or label has a problem with an add be at liberty to contact me at thesoundproject01@gmail.com and I'll take any obligatory motion.
Amazing Skill Fast Workers God Level Compilation 2017 #2 - People Are Awesome
Quick Staff God Degree Quickest The whole lot Compilation 2017 #2 - Folks With Superb Expertise And Talent
- Watch, fee, share and Remark your favourite emojis Vine
- Please depart a like should you loved and inform me what you assume within the feedback!
- Remember to subscribe my channel to assist us attain to 1.000.000 Subscribers :)
Assist forfuntv:
https://www.fb.com/forfuntv1/
https://plus.google.com/u/zero/b/106236739668877077866/
https://www.youtube.com/channel/UCr9H_csUKehbQALhn9KNriA
Forfuntv is the primary vacation spot for wonderful, authentic movies and compilations.
Subscribe channel, don"t miss a brand new compilation.
Amazing modern technology machines with fast workers compilation - Awesome invention machines 2017
Wonderful trendy expertise machines with quick employees compilation - Superior invention machines 2017
DONT MISS THIS!! FAST WORKERS SUPER HUMAN LEVEL ✿ People Are Awesome with AMAZING SKILLS_HIGH
FAST WORKERS SUPER HUMAN LEVEL ✿ Individuals Are Superior with AMAZING SKILLS_HIGH
Amazing Skill Fast Workers God Level Fastest Everything Compilation 2017 #2 - People Are Awesome
Superb Ability Quick Employees God Stage Quickest The whole lot Compilation 2017 #2 - Folks Are Superior.
Superb Ability Quick Employees God Stage Quickest The whole lot Compilation 2017 #2 - Folks Are Superior
- Watch, fee, share and Remark
- Please go away a like if you happen to loved and inform me what you assume within the feedback!
- Remember to subscribe my channel :)
Assist The Sound Mission:
https://www.fb.com/The-Sound-Mission-304068123119291/
https://plus.google.com/100231906885515018197
https://www.youtube.com/channel/UCou6pqxzTSYf8t-ISPmeQQw
Music:
Miles Above You - Jesse Warren
Funk Metropolis - Reatch
Y&V - Lune
Hear extra nice observe. Verify music channel.
Assist beech music:
https://www.youtube.com/channel/UCvVydVYbyhC1ILrW--iF92A
https://www.fb.com/beechmusic1/
https://soundcloud.com/beechmusic-171559473
https://twitter.com/beechmusic1
THE SOUND PROJECT is the primary vacation spot for wonderful, unique movies and compilations.
All compilation is accompanied by superior music.
Subscribe channel, don"t miss a brand new compilation.
If any producer, artist, or label has a problem with an add be at liberty to contact me at thesoundproject01@gmail.com and I'll take any mandatory motion.
Funny 3D Animation Short Film For Kids - Fat Animated Short Film
Humorous 3D Animation Quick Movie For Children - Fats Animated Quick Movie.
Fats is a enjoyable quick animation that everybody can take pleasure in.
It is Full HD movie, humorous quick cartoon for teenagers to look at.
Thanks for watching. Subscribe: https://goo.gl/o4D3D3
I all the time recognize feedback and suggestions
CGI Animated Short Film "Broken Wand Short Film" by Anne Yang & Michael Altman
CGI 3D Animated Damaged Wand Quick Movie by Anne Yang & Michael Altman. Featured on http://www.cgmeetup.internet/house/broken-wand/
When a washed-up magician will get a go to from his sullen preteen grandson, can the 2 discover a method to reconnect?
A brief animation directed by Anne Yang and Michael Altman on the Faculty of Visible Arts.
Directed By – Anne Yang & Michael Altman
Modeling , Look Dev, Lighiting & Compositing – Anne Yang
Rigging & Animation – Michael Altman
Thesis Advisors – Seth Gollub & Joe Burrascano
Further Modeling – J.D. Gardner, Adrienne DeLuca, Justin Coo, Chris Ribar, Brett Taggart, Dan Dickheiser
Further Rigging – Brett Taggart
Further Animation – Thaddaeus Andreades, Kyle Moy, Chris Ribar, Elaina Brillantes
Dynamics – Diana Kim, Vraja Parra
Further Portray – Minji Sohn, Stephanie Lin
Sound Design – Collin Blendell
Music Rating – Wei-San Hsu
http://brokenwandfilm.tumblr.com/
SUBSCRIBE to CGMeetup for extra inspiring content material! http://www.cgmeetup.internet
YouTube https://www.youtube.com/consumer/CGMeetUp
Fb https://www.fb.com/CGMeetup
Twitter https://twitter.com/cgmeetup
Google+ https://plus.google.com/+Cgmeetup
Dailymotion http://www.dailymotion.com/consumer/CGMeetup
Pinterest https://www.pinterest.com/cgmeetup/
Instagram https://instagram.com/cgmeetup/
#cgi #3d #animation #animated #vfx #quick #shortfilm #shortfilms #cgmeetup #movie #film #ComputerAnimation #breakdowns #reels
-----------------------
All CGI Artists, Studios or Colleges who wish to Characteristic/Publish there work on CGMeetup web site & Channels
Shortfilm, Spot, Making of, Vfx breadown, Showreel and so forth
Submit right here http://www.cgmeetup.internet/boards/
or Contact us at data@cgmeetup.internet
-----------------------
Please Observe: All movies are uploaded after written copyright permission from revered Artists, Studios or Colleges.
or a part of Artistic Commons license https://creativecommons.org/licenses/by/four.zero/legalcode for extra particulars or dispute Contact us data@cgmeetup.internet
-----------------------
CGI, 3d, 3d Animated Quick Movie, animated, Animated Motion pictures, Animated Quick movie, Animated Quick movies, Animated Quick Movies Award Successful, Animated Quick Motion pictures, Animated Shorts, animation, Finest Animation Quick Movies, greatest quick movies, CGI Animated Quick movie, CGI Quick Movie, Desene Animate, Damaged Wand, Damaged Wand 3d Animated Quick Movie, Damaged Wand Animated Movie, Damaged Wand Animated Quick, Damaged Wand Animated Quick Movie,Damaged Wand Movie, Damaged Wand Quick, Quick Movie, Damaged Wand Quick Movie byAnne Yang , Damaged Wand Shortfilm, quick, Quick movie, cgi, cgi 3d, CGI 3D Animated Quick Movie, CGI Animated Quick, CGI 3D Animated Quick Damaged Wand, Damaged Wand Quick Movie, Damaged Wand,
CGI, Animated, Quick Movie, Animated Quick Movie, Animated Shorts, Animation, 3d, VFX Quick Movie, VFX Quick, Animated Quick Movie humorous, Animated Quick Movies, Animated Quick Movie Pixar, Quick, Animated Quick Movies Award Successful, Animated Quick Motion pictures, Pixar Quick Movies, Animated Motion pictures, Finest Animation Quick Movies, greatest quick movies, 3D Animated Quick movie, Animated Quick Movie 2017, CGMeetup, CG, 3D, VFX, FX, Results, Animation, Shorts, GFX, Movement, Seize, MoCap, Pc, Digital, Artwork, Modeling, 3d animation,
HOT VIRAL VIDEO😂😂😂 enjoy it 🙌🖖😊🌎
So enjoy it 🙌🖖😊🌎
Help me reach 100.000 subscribers peeps 👊😉
Push a bell 🔔 near subscribed button 👊😉
Just be positive, think outside the box and be different 🖖😉👌 Love and peace 🌎✌😉
Paracord armband svenska | DIY Inspriation
Paracord armband svenska | DIY Inspriation
Subscribe without cost!
YouTube Chanel:
Mesomorphic transformation / Inspriation
That is my Four-5 12 months transformation. From no muscle to my present peak. Hope you take pleasure in!
Tattoo Advice Part 6: Ideas and Inspriation
• Fb: http://fb.com/nibblesofficial
• Instagram: http://instagram.com/nibbles.official
• Tumblr: http://nibblesofficial.tumblr.com
• Twitter: http://twitter.com/nibblesofficial
• Snapchat: @nibblesofficial
• Music Playlist: http://goo.gl/uKYFsv
• Merch: http://www.redbubble.com/folks/nibblesofficial
Most Viral Video of Khabardaar
Watch Most Viral Video of Khabardaar
► Subscribe us - https://youtube.com/c/TalkShowsCentral
► Website - http://www.talkshowscentral.com
► Facebook - https://facebook.com/Talk-Shows-Central-481960088660559
► Twitter - https://twitter.com/TalkShowsPk
Viral Video: महराजगंज — जंगल में बैठे प्रेमी जोड़े पर हुई हैवानियत
जंगल में बैठे प्रेमी जोड़े पर स्थानीय युवकों ने जमकर डंडे बरसाए.
Connect with us on Social platform at: https://www.facebook.com/Inkhabar
Connect with us on Social platform at: https://twitter.com/Inkhabar
Subscribe to our You Tube channel: https://www.youtube.com/user/itvnewsindia
http://www.inkhabar.com/
Modi Tujhe Ham Pe Bharosa Nahi Kya | Super hit viral video | मोदी तुझे हम पे भरोसा नहीं क्या | वायरल
Modi Tujhe Ham Pe Bharosa Nahi Kya | Super hit viral video
मोदी तुझे हम पे भरोसा नहीं क्या | वायरल
==================================================
◄Web page: http://www.worldbestnews.in
◄You tube : http://www.youtube.com/c/worldbestnews
◄Facebook: https://www.facebook.com/worldbestnews8
◄Google+: http://www.google.com/+worldbestnews
◄Website: http://www.worldbestnews.ga
===================================================
Subscribe To My Channel And More Video Update
Pinched Animation Short Film
[embed width='800' height='600']https://www.youtube.com/watch?v=vmPvjZKBNYY[/embed]
That is Pinched . You'll be able to watch stuffed with Brief Animated Motion pictures Official on the hyperlink
https://www.youtube.com/playlist?checklist=PLibt8SX9yL7IUcxwapkjpDeN0CiDWPwHm
A film student just made one of the best animations ever. Wow.
[embed width='800' height='600']https://www.youtube.com/watch?v=yQkvayPz3iw[/embed]
See the second all of it goes flawed at 5:45...
★ SUBSCRIBE FOR DAILY VIDS! ► http://sub2.omele.to
Chapman pupil Jack Anderson tells the story of an opportunity encounter between two mining robots on a desolate planet.
The lovable robotic protagonist seems like one thing Disney may provide you with. However then, the animation takes a flip, turning into a metaphor for greed and self-sabotage, rooted in irony and futility.
"My greatest inspiration for the story was to indicate how us people are always ruining relationships over the smallest issues," Anderson mentioned. "That is one thing everybody's executed so I wished to encapsulate it in a really contained fable. It finally ends up being a fairly common factor individuals can connect with."
Wire Cutters went on to win a slew of awards -- even turning into a finalist for a Scholar Academy Award.
Used with permission from Jack Anderson. Study extra at http://omele.to/2avEMq7.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Join with Omeleto!
Fb ► http://fb.com/omeletocom/
Twitter ► http://twitter.com/omeletocom
Instagram ► http://instagram.com/omeletocom/
Snapchat ► http://snapchat.com/add/omeletocom
Publication ► http://omeleto.com/be a part of/
Carmen Jorda
[gallery columns="4" link="file" size="large"]
Carmen Jorda became a Lotus F1 Team Development Driver during the 2015 Formula 1 season. She has been professionally racing since she was only 12. Early on in her career, Carmen managed to achieve three podium finishes in the European Formula 3 Open series category. She then joined the Andersen Racing 1 team and competed in the American Lights Championship. And in 2012, she signed with the Ocean Racing Technology team before joining Lotus.
Telstra Unveils Its Smart Home hub
Scientific research shows this is a great way to immediately increase happiness. You can do it anywhere and it does not cost anything. Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt.
Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur. Here are three ways, why they work, and quick tips to use them to put a smile on your face.
Big Game Movie
Content is still king. With Dalian Wanda Group’s $3.5 billion acquisition of Legendary Entertainment in January, this year’s media and entertainment M&A activity kicked off with a bang that hasn’t slowed down.
Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
Content and digital transformation strategies have driven M&A activity so far in 2016, with no signs of slowing down — and thus providing clues about where we’ll see activity during the rest of the year.
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
[caption id="attachment_1321" align="alignright" width="300"]
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1319" align="alignleft" width="300"]
Man vs Man wrist wrestling[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
League Of Legends 'Ekko Seconds'
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends. Consolidation of content and the need for diversification in the digital environment will fuel interest from traditional players like telcos and major studios. Investment from China does not appear to be slowing anytime soon, so expect those eye-popping headlines to continue throughout 2016 as it plays the long game.
VR will begin to consolidate around content and tech, allowing leaders in both areas to emerge by the end of the year. As e-sports continues to gain traction via mainstream coverage and traditional advertising opportunities, it won’t be long before we see e-sports live events vying for the same eyeballs as the current pro sports leagues and attracting additional investment dollars along with them.
[caption id="attachment_1323" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1324" align="alignleft" width="300"]
A box of tools for your DIY project[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Dungeon Hunter 5 - A Super Fusion Bonus!
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Content strategy factored heavily in Warner Bros.’ move to acquire Korean Drama SVOD service DramaFever for an undisclosed sum, which will help the studio broaden its digital presence. Korean dramas are big business around the world, and WB has made a bet on proven content to widen its market reach. FuboTV, a soccer-focused SVOD service, raised $15 million led by 21st Century Fox, and Turner led a $15 million round in Mashable. As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Grim Legends 3: The Dark City - Part 1 Let's Play Walkthrough BETA
Content is still king. With Dalian Wanda Group’s $3.5 billion acquisition of Legendary Entertainment in January, this year’s media and entertainment M&A activity kicked off with a bang that hasn’t slowed down.
Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
Content and digital transformation strategies have driven M&A activity so far in 2016, with no signs of slowing down — and thus providing clues about where we’ll see activity during the rest of the year.
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Content strategy factored heavily in Warner Bros.’ move to acquire Korean Drama SVOD service DramaFever for an undisclosed sum, which will help the studio broaden its digital presence. Korean dramas are big business around the world, and WB has made a bet on proven content to widen its market reach. FuboTV, a soccer-focused SVOD service, raised $15 million led by 21st Century Fox, and Turner led a $15 million round in Mashable. As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Another area that could see more investment is the e-sports industry. It is expected to be a $1.1 billion industry by 2019, and traditional sports insiders are paying attention. Former Los Angeles Lakers basketball player Rick Fox bought his own e-sports team for a reported $1 million in December, while former and current athletes Shaquille O’Neal, Alex Rodriguez and Jimmy Rollins have recently invested an undisclosed sum in e-sports team NRG. FaceIt, an online e-sports platform, raised $15 million in January. Brands and advertisers are beginning to spend money in e-sports as they take advantage of the massive viewership opportunities for targeted demographics.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends. Consolidation of content and the need for diversification in the digital environment will fuel interest from traditional players like telcos and major studios. Investment from China does not appear to be slowing anytime soon, so expect those eye-popping headlines to continue throughout 2016 as it plays the long game.
VR will begin to consolidate around content and tech, allowing leaders in both areas to emerge by the end of the year. As e-sports continues to gain traction via mainstream coverage and traditional advertising opportunities, it won’t be long before we see e-sports live events vying for the same eyeballs as the current pro sports leagues and attracting additional investment dollars along with them.
America's Test Kitchen Season 16 Trailer
Content is still king. With Dalian Wanda Group’s $3.5 billion acquisition of Legendary Entertainment in January, this year’s media and entertainment M&A activity kicked off with a bang that hasn’t slowed down.
Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
Content and digital transformation strategies have driven M&A activity so far in 2016, with no signs of slowing down — and thus providing clues about where we’ll see activity during the rest of the year.
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Content strategy factored heavily in Warner Bros.’ move to acquire Korean Drama SVOD service DramaFever for an undisclosed sum, which will help the studio broaden its digital presence. Korean dramas are big business around the world, and WB has made a bet on proven content to widen its market reach. FuboTV, a soccer-focused SVOD service, raised $15 million led by 21st Century Fox, and Turner led a $15 million round in Mashable. As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Another area that could see more investment is the e-sports industry. It is expected to be a $1.1 billion industry by 2019, and traditional sports insiders are paying attention. Former Los Angeles Lakers basketball player Rick Fox bought his own e-sports team for a reported $1 million in December, while former and current athletes Shaquille O’Neal, Alex Rodriguez and Jimmy Rollins have recently invested an undisclosed sum in e-sports team NRG. FaceIt, an online e-sports platform, raised $15 million in January. Brands and advertisers are beginning to spend money in e-sports as they take advantage of the massive viewership opportunities for targeted demographics.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends. Consolidation of content and the need for diversification in the digital environment will fuel interest from traditional players like telcos and major studios. Investment from China does not appear to be slowing anytime soon, so expect those eye-popping headlines to continue throughout 2016 as it plays the long game.
VR will begin to consolidate around content and tech, allowing leaders in both areas to emerge by the end of the year. As e-sports continues to gain traction via mainstream coverage and traditional advertising opportunities, it won’t be long before we see e-sports live events vying for the same eyeballs as the current pro sports leagues and attracting additional investment dollars along with them.
MTV Video Music Awards 2014
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends. Consolidation of content and the need for diversification in the digital environment will fuel interest from traditional players like telcos and major studios. Investment from China does not appear to be slowing anytime soon, so expect those eye-popping headlines to continue throughout 2016 as it plays the long game. Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Methode Technology Hall Intro
Content is still king. With Dalian Wanda Group’s $3.5 billion acquisition of Legendary Entertainment in January, this year’s media and entertainment M&A activity kicked off with a bang that hasn’t slowed down.
Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
Content and digital transformation strategies have driven M&A activity so far in 2016, with no signs of slowing down — and thus providing clues about where we’ll see activity during the rest of the year.
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Content strategy factored heavily in Warner Bros.’ move to acquire Korean Drama SVOD service DramaFever for an undisclosed sum, which will help the studio broaden its digital presence. Korean dramas are big business around the world, and WB has made a bet on proven content to widen its market reach. FuboTV, a soccer-focused SVOD service, raised $15 million led by 21st Century Fox, and Turner led a $15 million round in Mashable. As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Another area that could see more investment is the e-sports industry. It is expected to be a $1.1 billion industry by 2019, and traditional sports insiders are paying attention. Former Los Angeles Lakers basketball player Rick Fox bought his own e-sports team for a reported $1 million in December, while former and current athletes Shaquille O’Neal, Alex Rodriguez and Jimmy Rollins have recently invested an undisclosed sum in e-sports team NRG. FaceIt, an online e-sports platform, raised $15 million in January. Brands and advertisers are beginning to spend money in e-sports as they take advantage of the massive viewership opportunities for targeted demographics.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends. Consolidation of content and the need for diversification in the digital environment will fuel interest from traditional players like telcos and major studios. Investment from China does not appear to be slowing anytime soon, so expect those eye-popping headlines to continue throughout 2016 as it plays the long game.
VR will begin to consolidate around content and tech, allowing leaders in both areas to emerge by the end of the year. As e-sports continues to gain traction via mainstream coverage and traditional advertising opportunities, it won’t be long before we see e-sports live events vying for the same eyeballs as the current pro sports leagues and attracting additional investment dollars along with them.
Judges Announce Winner of 'View Karaoke' | The View
Content is still king. With Dalian Wanda Group’s $3.5 billion acquisition of Legendary Entertainment in January, this year’s media and entertainment M&A activity kicked off with a bang that hasn’t slowed down.
Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
Content and digital transformation strategies have driven M&A activity so far in 2016, with no signs of slowing down — and thus providing clues about where we’ll see activity during the rest of the year.
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Content strategy factored heavily in Warner Bros.’ move to acquire Korean Drama SVOD service DramaFever for an undisclosed sum, which will help the studio broaden its digital presence. Korean dramas are big business around the world, and WB has made a bet on proven content to widen its market reach. FuboTV, a soccer-focused SVOD service, raised $15 million led by 21st Century Fox, and Turner led a $15 million round in Mashable. As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Another area that could see more investment is the e-sports industry. It is expected to be a $1.1 billion industry by 2019, and traditional sports insiders are paying attention. Former Los Angeles Lakers basketball player Rick Fox bought his own e-sports team for a reported $1 million in December, while former and current athletes Shaquille O’Neal, Alex Rodriguez and Jimmy Rollins have recently invested an undisclosed sum in e-sports team NRG. FaceIt, an online e-sports platform, raised $15 million in January. Brands and advertisers are beginning to spend money in e-sports as they take advantage of the massive viewership opportunities for targeted demographics.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends. Consolidation of content and the need for diversification in the digital environment will fuel interest from traditional players like telcos and major studios. Investment from China does not appear to be slowing anytime soon, so expect those eye-popping headlines to continue throughout 2016 as it plays the long game.
VR will begin to consolidate around content and tech, allowing leaders in both areas to emerge by the end of the year. As e-sports continues to gain traction via mainstream coverage and traditional advertising opportunities, it won’t be long before we see e-sports live events vying for the same eyeballs as the current pro sports leagues and attracting additional investment dollars along with them.
A Guide To American Football
Content is still king. With Dalian Wanda Group’s $3.5 billion acquisition of Legendary Entertainment in January, this year’s media and entertainment M&A activity kicked off with a bang that hasn’t slowed down.
Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
Content and digital transformation strategies have driven M&A activity so far in 2016, with no signs of slowing down — and thus providing clues about where we’ll see activity during the rest of the year.
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
In China, Wanda also holds a trump card over the other major studios in that it is a Chinese-owned/operated business, allowing it to navigate and potentially circumnavigate the Chinese theatrical quota system. Wanda’s ability to leverage its insider position with future Legendary productions, as well as its own forthcoming Wanda Studios at Qingdao, should give Wanda a significant market share in the theatrical film industry going forward.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
Content strategy factored heavily in Warner Bros.’ move to acquire Korean Drama SVOD service DramaFever for an undisclosed sum, which will help the studio broaden its digital presence. Korean dramas are big business around the world, and WB has made a bet on proven content to widen its market reach. FuboTV, a soccer-focused SVOD service, raised $15 million led by 21st Century Fox, and Turner led a $15 million round in Mashable. As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
Virtual reality/augmented reality (VR/AR) investment has ramped up in “the year of VR,” taking in $1.1 billion through February alone. Most of that investment was Magic Leap’s Series C round of funding at almost $800 million, but other companies involved included MindMaze with a $100 million round and Wevr with a $25 million round. While consumer products are still in the early phases, the overall excitement and wide-ranging applications for VR and AR are driving investment for those who want to get involved early.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.
Another area that could see more investment is the e-sports industry. It is expected to be a $1.1 billion industry by 2019, and traditional sports insiders are paying attention. Former Los Angeles Lakers basketball player Rick Fox bought his own e-sports team for a reported $1 million in December, while former and current athletes Shaquille O’Neal, Alex Rodriguez and Jimmy Rollins have recently invested an undisclosed sum in e-sports team NRG. FaceIt, an online e-sports platform, raised $15 million in January. Brands and advertisers are beginning to spend money in e-sports as they take advantage of the massive viewership opportunities for targeted demographics.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends. Consolidation of content and the need for diversification in the digital environment will fuel interest from traditional players like telcos and major studios. Investment from China does not appear to be slowing anytime soon, so expect those eye-popping headlines to continue throughout 2016 as it plays the long game.
VR will begin to consolidate around content and tech, allowing leaders in both areas to emerge by the end of the year. As e-sports continues to gain traction via mainstream coverage and traditional advertising opportunities, it won’t be long before we see e-sports live events vying for the same eyeballs as the current pro sports leagues and attracting additional investment dollars along with them.
The Amazing Race Season 28 Preview
Comcast’s $3.8 billion acquisition of DreamWorks Animation just three months later continued the trend of content consolidation and IP aggregation. Both transactions have varying motivations, but the common denominator is access to franchises and content that can be leveraged across the parent companies’ various business units.
Content and digital transformation strategies have driven M&A activity so far in 2016, with no signs of slowing down — and thus providing clues about where we’ll see activity during the rest of the year.
One major trend that continues is Chinese investment flowing into the United States. Almost 50 percent of all U.S.-targeted M&A transactions from foreign investors came from China in Q1, and media and entertainment is a significant driver of that figure. In addition to acquisitions, there were a number of investments in U.S. film studios, including Film Carnival’s $500 million investment in Dick Cook Studios and Perfect World Pictures’ $500 million investment in Universal Pictures’ upcoming film slate.
[caption id="attachment_1201" align="alignright" width="300"]
China’s continued interest in gaining insight into how Hollywood works is paying off for both sides of these deals. This insight will continue to help them ramp up their own production capabilities and speed up their ability to compete with the current global content creators. As a result, Chinese investment and M&A in U.S. media and entertainment should continue throughout 2016.
Wanda’s massive Legendary transaction allows it to vertically integrate content production with its exhibition business. Its announced acquisition of Carmike Cinemas in March for $1.1 billion added more theatres to its current count, which already includes other global exhibitors. This news came days after Wanda announced plans for a $3.3 billion theme park outside Paris. When viewed as a whole, this ecosystem of content and distribution outlets positions Wanda as a global media and entertainment leader for the foreseeable future.
Comcast’s acquisition of DreamWorks Animation gives it a wealth of content that it can use across its numerous lines of business, including its cable subscription service (Xfinity), theme parks (Universal Parks and Resorts), cable networks (USA, Syfy, Sprout), digital platforms (Watchable, Seeso) and production companies (Universal Pictures, Illumination Entertainment).
As the digital ecosystem expands, traditional studios are seeing an opportunity to diversify their tech and content strategies.
The potential overlap in animation capabilities with Illumination Entertainment is complicated, but could help Universal compete against Disney’s formidable one-two punch of Pixar and Walt Disney Animation Studios (if managed correctly). Comcast and NBCU also now have access to AwesomenessTV’s target demographic, production capabilities and original IP. The key to this transaction will be the extent to which they successfully integrate their content cross-platform.
[caption id="attachment_1203" align="alignleft" width="300"]
Just an image for demo pủpose[/caption]Following Baobab Studios’ $6 million round in December, Penrose Studios raised $8.5 million in March, highlighting a competitive race to become the go-to VR content creator for immersive animated content. Comcast Ventures recently led a $6.8 million investment in Felix & Paul Studios, producers of cinematic VR experiences. Investors see this industry as a tremendous growth opportunity, with projected industry potential revenue of $120 billion by 2020, according to Digi-Capital. It doesn’t appear that investment and M&A will slow down anytime soon.
Live streaming has had activity as well, with IBM’s purchase of UStream for a reported $130 million being the biggest transaction of 2016 so far. Twitter made a strategic decision to purchase the live-streaming digital rights for 10 Thursday Night Football games this year. The $10 million price tag was especially low, considering Yahoo paid a reported $15-$20 million for the rights to live-stream one game last year. This gives Twitter a way to flaunt its Periscope functionality, potentially acquire users, increase engagement and recoup some of its investment with a limited amount of ad inventory that it will retain.
The NFL gets to broaden its distribution, experiment with alternative revenue streams, target a younger demographic and, ultimately, create more competition for the NFL’s overall rights when they expire in 2022. It is very possible that the future of NFL broadcasts may lie with a digital-first platform like Netflix, Amazon, Facebook, Google or Twitter, each of whom has deep enough pockets to bid for the opportunity to capture the most valuable must-see live content in the United States. Expect the other professional sports leagues to watch this development closely.
The rest of 2016 should continue to see plenty of activity across the media and entertainment space as companies brace for the future of mobile and digital consumption trends.
Based on activity in 2016 thus far, it’s clear we haven’t seen the end of key transactions. Paramount Pictures is looking for a strategic investor to build out its international and digital capabilities, which would provide key content and IP access to the investor (although this process has become very muddled recently). Yahoo is fielding multibillion-dollar offers for its core business, and Anonymous Content, creators of Oscar darlings Spotlight and The Revenant, as well as TV hits True Detective and Mr. Robot, is reportedly looking for a minority investor.